A Hundred Circling Camps:
Thinking Theatre NYC: "heightening [the] impact is some excellent staging... has some great surprises up its sleeve"
https://www.thinkingtheaternyc.com/2024/07/review-hundred-circling-camps-renders.html
Front Row Center: "evocative and powerful... effectively crafted and utilized to maximize dramatic power"
https://thefrontrowcenter.com/2024/07/a-hundred-circling-camps/#:~:text=A%20Hundred%20Circling%20Camps%20is,work%20still%20to%20be%20done.
Theater Scene: "superbly directed"
https://www.theaterscene.net/plays/offbway-plays/a-hundred-circling-camps/scotty-bennett/
Wipeout:
Broadway World: "engaging, relatable, and completely hilarious...definitely worth the ride"
https://www.broadwayworld.com/sacramento/article/Review-WIPEOUT-Rides-a-Wave-of-Success-at-B-Street-Theatre-20240426
Kelp Journal: theatrical perfection on water"
https://www.kelpjournal.com/post/review-wipeout-a-play-by-aurora-real-de-asua
Kairos:
League of Cincinnati Theatres 1: "The dynamic direction of Rebecca Wear give[s] the story watchability from both an aesthetic and curious point of view. Wear knows exactly how to choreograph movement and smooth pacing."
www.leagueofcincytheatres.info/review-the-right-time-for-kairos-at-know-theatre-of-cincinnati/
Talking Broadway: "It's clear that director Rebecca Wear has worked closely with designer Hungerford to execute these elements [redacted] in ways that enhance and underscore the story and the themes it explores. Wear's actors each convey their characters vividly... This production of Kairos is the most satisfying of Know's current season thus far, one that fans of the company's frequently avant garde work should turn out to see. It's left me thinking..."
https://www.talkinbroadway.com/page/regional/cincy/cincy495.html
League of Cincinnati Theatres 2: "Wear wisely allows her actors the ability to find specific spaces of connection within that spare stage. This serves to move the action of the play for scene to scene without a lot of interruption. Under Wear’s direction, Rader and Richmond make the most of that space and fill it with any number of different scenes in their relationship."
https://www.leagueofcincytheatres.info/review-seeking-immortality-in-know-theatres-kairos/
Kim's Convenience:
Arts ATL: "The characters are so compelling and multifaceted that by the time the last scene rolls around, you’re longing to see where the rest of the story goes... There [is] plenty to enjoy about this Rebecca Wear-directed production, which has been lovingly rendered with attention to detail"
Atlanta NPR Interview: "the heart-warming, thoughtful family story that’s made such waves on American stages and screens"
TEA:
Los Angeles Times: "Why Velina Hasu Houston’s timely play ‘Tea’ continues to be staged around the world": "A play like this is so timeless. It was relevant then, and it’s still relevant now."
Onstage Los Angeles: "Musical and colourful and mythical and sad... I highly recommend this production… The story evolves much like a dance"
Hometown Boy:
Broadway World Atlanta: "Hometown Boy is Beautifully Grotesque": "An exhilarating voyage... it's impossible to look away..."
Atlanta NPR Interview: "Southern Gothic through an Asian-American lens"
The Chinese Lady:
Cultural Weekly: "Rebecca Wear’s unhurried direction... is exactly the right one for this uncommon material"
Artists at Play Podcast: The Chinese Lady and Remembering the Los Angeles Chinese Massacre
Obedient Steel:
New York Theatre Review: "Special note and attention should be paid to this talented core of actors... Director Rebecca Wear uses the space effectively and brings out both the comedic and tragic elements of this fine script"
Stage Buddy: "Both highly entertaining and highly disconcerting... The brazenly funny script, performed skillfully by the cast, further implicates the audience in this dangerous project. Not only are we in the top-secret lab, but now we are laughing cavalierly along."
Thinking Theatre NYC: "heightening [the] impact is some excellent staging... has some great surprises up its sleeve"
https://www.thinkingtheaternyc.com/2024/07/review-hundred-circling-camps-renders.html
Front Row Center: "evocative and powerful... effectively crafted and utilized to maximize dramatic power"
https://thefrontrowcenter.com/2024/07/a-hundred-circling-camps/#:~:text=A%20Hundred%20Circling%20Camps%20is,work%20still%20to%20be%20done.
Theater Scene: "superbly directed"
https://www.theaterscene.net/plays/offbway-plays/a-hundred-circling-camps/scotty-bennett/
Wipeout:
Broadway World: "engaging, relatable, and completely hilarious...definitely worth the ride"
https://www.broadwayworld.com/sacramento/article/Review-WIPEOUT-Rides-a-Wave-of-Success-at-B-Street-Theatre-20240426
Kelp Journal: theatrical perfection on water"
https://www.kelpjournal.com/post/review-wipeout-a-play-by-aurora-real-de-asua
Kairos:
League of Cincinnati Theatres 1: "The dynamic direction of Rebecca Wear give[s] the story watchability from both an aesthetic and curious point of view. Wear knows exactly how to choreograph movement and smooth pacing."
www.leagueofcincytheatres.info/review-the-right-time-for-kairos-at-know-theatre-of-cincinnati/
Talking Broadway: "It's clear that director Rebecca Wear has worked closely with designer Hungerford to execute these elements [redacted] in ways that enhance and underscore the story and the themes it explores. Wear's actors each convey their characters vividly... This production of Kairos is the most satisfying of Know's current season thus far, one that fans of the company's frequently avant garde work should turn out to see. It's left me thinking..."
https://www.talkinbroadway.com/page/regional/cincy/cincy495.html
League of Cincinnati Theatres 2: "Wear wisely allows her actors the ability to find specific spaces of connection within that spare stage. This serves to move the action of the play for scene to scene without a lot of interruption. Under Wear’s direction, Rader and Richmond make the most of that space and fill it with any number of different scenes in their relationship."
https://www.leagueofcincytheatres.info/review-seeking-immortality-in-know-theatres-kairos/
Kim's Convenience:
Arts ATL: "The characters are so compelling and multifaceted that by the time the last scene rolls around, you’re longing to see where the rest of the story goes... There [is] plenty to enjoy about this Rebecca Wear-directed production, which has been lovingly rendered with attention to detail"
Atlanta NPR Interview: "the heart-warming, thoughtful family story that’s made such waves on American stages and screens"
TEA:
Los Angeles Times: "Why Velina Hasu Houston’s timely play ‘Tea’ continues to be staged around the world": "A play like this is so timeless. It was relevant then, and it’s still relevant now."
Onstage Los Angeles: "Musical and colourful and mythical and sad... I highly recommend this production… The story evolves much like a dance"
Hometown Boy:
Broadway World Atlanta: "Hometown Boy is Beautifully Grotesque": "An exhilarating voyage... it's impossible to look away..."
Atlanta NPR Interview: "Southern Gothic through an Asian-American lens"
The Chinese Lady:
Cultural Weekly: "Rebecca Wear’s unhurried direction... is exactly the right one for this uncommon material"
Artists at Play Podcast: The Chinese Lady and Remembering the Los Angeles Chinese Massacre
Obedient Steel:
New York Theatre Review: "Special note and attention should be paid to this talented core of actors... Director Rebecca Wear uses the space effectively and brings out both the comedic and tragic elements of this fine script"
Stage Buddy: "Both highly entertaining and highly disconcerting... The brazenly funny script, performed skillfully by the cast, further implicates the audience in this dangerous project. Not only are we in the top-secret lab, but now we are laughing cavalierly along."